Romanian Kitsch Museum is not hard to find. Possibly blinded by an incredibly kitschy curtain of thousands of Christmas lights at Taverna Covaci in Strada Covaci, Google map makes a mistake by pointing the kitsch cathedral’s location across the road of this pompous food Bethlehem. But to access the place where the kitsch is sacred, one needs to turn to Strada Soarelui! In this dead-end street (of course, in the kitsch universe there can be no forward), a little red carpet and gold lion statues unmistakably adorn the entrance into one of the youngest Bucharest museums.
Cristian Lica, the institution’s founder, has been collecting the objects and stories of poor taste for over two decades. He claims that his boutique museum is the best way to understanding the Romanian (sub)culture.
Romanian kitsch is authentic, and built on creativity, ridiculousness and pride of Romanians, museum website exclaims. Since May 2017, two floors of more than 200 exhibits in the center of Bucharest Old Town witness this authenticity.
Jesus as Superman
At the museum door, I bump into some dreadlocked punks. One of them insists that I take a picture of him on the red carpet.
They were in the museum for a photo session and now, with golden spray in their hands, they airbrush their signatures on the street power box.
Usually, they make graffiti on trains and insist I should visit their genuinely Gypsy neighborhood, where no photographer wants to come.
“It gets wild, man! It is more dangerous than the Bronx!”, one of them promotes Bucharest’s suburb with pride.
The tombs of wealthy Romanian Gypsies often feature accessories such as elevator, air conditioning or LCD TV
The staircase towards the upper floors of the building is decorated with murals that combine the incompatible. Street art aesthetics defends the urban concept of the museum of kitsch, deconstructing the icons of adoration from the start.
On the yellow wall, pineapples fly around the image of Jesus. With Superman’s sign on his chest and Disney characters’ 4-fingers glove on one hand, he stands in front of maneki-neko figurines wrapped in shopping bags, pointing towards the official museum entrance.
Kardashian à la Romania
The items in the Kitsch Museum of Bucharest are presented in major thematic sections, displaying the archetypical images of Romanian kitsch.
Many of them are not strictly Romanian; kitsch does not recognize borders, and trends travel quickly!
In the world where Kim Kardashian becomes an influencer, the Pitzipoanca concept is just a Romanian version of the same sort of intangible fame focused on one’s own appearance.
In every country, one could find examples of poor misjudgment of aesthetics and functions. But even if kitsch might be universal, the window into one country’s kitsch does give a particular insight into its identities.
Vampires of Transylvania, politics, and church
One of the most famous Romanian kitsch brands is Dracula, so he naturally opens the curatorial vision of the museum.
An imaginary character from Bram Stoker’s novel lived in Transylvania, which was not even a part of Romania in those times, and most Romanians never heard of Dracula before the nineties, they explain.
After the fall of communism, his story started to be exploited for touristic purposes, resulting in hilarious souvenirs, ‘alternative facts’, and even tabloid newspapers named after him!
Romanian Kitsch Museum launched Romanian Kitsch Awards in 2017.
Even if Dracula did rank high in the category of “historic and legendary kitsch”, he was beaten by the “doctor of chemistry” Elena Ceausescu, the famous dictator’s wife who gained her academic titles with four grades of elementary school!
The gold medal in this award category went however to one iconic figure who managed to outstrip both of these worthy competitors – the “miraculous” Arsenie Boca, Orthodox monk who knew your name and your sins before you even confessed them. He could also tell you your future sins, as he was so clairvoyant.
Daniel Alamsjah in Indonesia also had voices speak to him, so he built the Chicken Church - a religious-style building in the jungle resembling a bird.
Knowing this, it is very logical that the next two sections of the Romanian Kitsch Museum are dedicated to religious and communist kitsch.
One of them did not survive, but they both left or still leave visible traces of their influence in Romanian cultural space, wiggling in transition.
Priests providing confessions online is just one strange example of reaching out to the followers who need to finance the construction of all those opulent church palaces and priests’ lifestyle mounted in gold.
This prime perversity, openly criticized by the museum of kitsch, might be rocked only by the heritage of Nicolae Ceausescu and the dictator’s dreams of erasing Romania’s debts by starving its people, and irrational spending on costs such as constructing the most massive building in the world.
The Kitsch Museum demasks another specificity of communism, still in use today. The so-called wooden language is the art of political speech in which one talks without saying anything.
Romanian Kitsch Museum – immortalizing the daily trash
From these examples, one could conclude that the kitsch gets the full potential only when one is in power. However, kitsch became a part of the daily life of many Romanians.
The kitschness became omnipresent in the design of the interior of people’s homes in the late 20th century. Gobelin of Mona Lisa, creepy stuffed animals, cheap porcelain figurines, and plastic fruit on the dining table are just some of the examples of poor taste invading Romanian homes.
In Gypsy culture, kitsch doesn’t stop at heavily ornate houses, but follows them even in the afterlife! Their rich tombs are furnished in marble and may feature accessories such as elevators, air conditioning, or LCD TVs. Only the best for your beloved ones when they are gone.
If you want to immortalize your kitschy moment too, the Romanian Kitsch Museum offers you a photo corner with money rain. After this extravagant luxurious experience of someone else’s life, you can go back to your Bronx neighborhood reality, like those graffiti guys from the beginning of the story probably did.
At the exit of the museum, there is a garbage bin, painted in gold. It is a subtle reminder that trash stays trash. Even when it shines.
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